Klaus Schulze Transfer Rar
Linda takes over the running the place with Connie's kind help, but struggles emotionally, plagued by nightmares related to her upbringing there. She also rekindles a relationship with an old flame named Barney (John Jarratt, Wolf Creek), a local firefighter, so it's not all bad. After discovering her mom's diary she reads through it, learning that her mom believed the place might be haunted by a sinister spirit, with Linda experiencing her own strange happenings around the place, she also begins to suspect something evil might be lurking in the shadows home, and she's not wrong! Her foreboding feeling is bolstered by the death of a resident who drowns in a bathtub, the discovery of his water-logged body is well shot, very surreal, and dripping with atmosphere, which this film has in spades.One of the home's residents in the estate's former gardener Lance (Charles McCallum), a man seemingly lost in a fog of senility, but while lucid he tells Linda about things that make her question the truth about the disappearance of her aunt years earlier.
Next of Kin is a bit departure from the high-octane exploitation coming from down under at this time, what we get is an atmospheric film, peppered with a giallo-worthy amount of possible culprits, a film that's visually stylish, but can feel a bit sluggish, even though it clocks in at just 89-minutes, not the 86 minutes indicated on the sleeve. However, all sluggishness is forgiven with the amped-up final leg of the film that sprints to the finish line with a pulse-pounding fervor that I found highly satisfying. Audio/Video: Next of Kin (1981) arrives on region-free Blu-ray from Umbrella Entertainment with a new 4K scan and restoration from the original camera negative, or maybe the interpositive, the blurb on the backside of the sleeve indicates the interpositive, but a title card on the disc indicates the OCN. Whatever the source it looks fantastic, looking clean aside from some white speckling.
Klaus Schulze Transfer Rar File
Colors are rich and saturated, blacks are deep, and grain looks natural, giving it a very filmic presentation. Fine detail can be impressive at times, and there's a nice depth to the image that is very pleasing.
Extras for this release kick off with two audio commentaries, the first with Director Tony Williams and Producer Tim White, which covers the origin of the film, it beginning as a bit of a horror-comedy, the casting, and the technical aspects of the film, including the influence of European cinema. The second is with cast members John Jarratt, Jackie Kerrin, Robert Ratti, moderated by Mark Hartley (Not Quite Hollywood), with the cast sharing lots of stories and anecdotes about the making of the film, with Jarratt being a bit too candid at times. As with so many of these ozploitation classics coming from Umbrella we get extended interviews from the Not Quite Hollywood doc, the first with director Tony Williams talking about the origins of the project, how it evolved, and getting into the technical aspects of the film, how certain scenes were achieved and how a tracking shot during of the finale of the film was flubbed, with audiences assuming it as a bit of artful restraint. Then Jon Jarret shows up for about four minutes, speaking of how it was the first horror film he'd ever worked on, praising the cinematographer, and recalling the flubbed pyrotechnic tracking shot from the finale of the film.
The year was 1985, a year of benefit gigs; Live Aid and Red Wedge, crack cocaine first started to appear on the streets and the Rock’n’Roll hall of fame was opened. One band the music press were talking about was the TWENTY FLIGHT ROCKERS, who featured former Gen X drummer Mark Laff and East Londoner Garry Twinn on Vocals. Described as one of the best live bands of the moment for once the music press were right. These four leather clad rockersrocked. Influenced by Eddie Cochran, Gene Vincent and The Clash, their future was bright until after one single on ABC Records Tower Block Rock they signed to Warners and were lost after the A+R department was sacked and the company concentrated on acts like Madonna and Prince. They did however release one single for the label; Johnny 7, but their proposed album 9 Yards Of Dead Cow, a reference to the amount of leather the band wore was never released. By the time former Clash manager Bernie Rhodes took the reigns and moved the band to the USA, the leather had started to crack and the band fell apart due to internal problems, there by making it impossible for them ever to appear in the Rock’ n'Roll hall of fame.
Instead of posting the 2 singles, I’ ve opted for this shit hot quality 11 track live recording at an anti-heroin benefit in East Sheen on 30 th June 1985, it does the band more justice. Check it out. Anonymoussaid.Just to let all TFR fans know, studio recordings exist of all the numbers they played live back then plus many unreleased ones too. Regarding the album 'Ride' that was released on promo vinyl in the U.S. Back in the late 80's (only official TFR recordings released on cd to date) that I also have the demos to this too featuring the original line up of the band (vastly diffent to the re recorded stuff) Also many 12' mixes including Johnny7, Black Leather Jackets, Guns For Sale etc. I'm thinking of putting some of this stuff on to cd. Any interest - let me know?
Just like ducks being fed / All we get is stale bread. Just like cattle at the water / Fattened up and sent for slaughter. Just like the beasts at Noahs Zoo / We're kept in line two by two.
Just like the clouds on a windy day / It's easy to get blown away. But just like a bird in a clear blue sky / I spread my wings and start to fly.HIGH STREET I took a walk and what did I see Miles and miles of misery. Down in the town they offer heaven For all your pounds. Get back home open up the bag Then get the feeling you’ve been had. Just more shit you didn’t need Consumption feeds their fix for greed. ‘Excuse me,’ they cry, ‘you can’t fight it; twice two is four! Nature doesn’t ask you about it; she’s not concerned with your wishes or with whether you like her laws or not.
You must take her as she is, and consequently all her results as well. I mean to say, a wall is a wall, etc. But good God! What have the laws of nature and arithmetic to do with me, when for some reason I don’t like those laws or twice two? Naturally I shan’t break through the wall with my head, if I’m really not strong enough, but I wont be reconciled to it simply because it’s a stone wall and I haven’t enough strength to break it down.
Fyodor Dostoyevsky (In Notes From Underground). Glasvegas/The Gaslight Anthem/Mercenary Skank/The London Cowboys/Jeremy Gluck/Dave Kusworth. Babyshambles/Nikki Sudden/The Others/DOA. Kasabian/ The Vibrators/Television Personalities/Johnny Thunders/The Apostles/Amebix/The Deviants/The Barracudas.
Primal Scream/Lou Reed/Generation X/T.V Smith. The Black Angels/Dustins Bar Mitzvah/Dogs. Crass/MC5/Iggy Pop/Flamin' Groovies/Jesus and Mary Chain.
Lords Of The New Church/The Mob/Dead 60's. Screaming Blue Messiahs/Spiritualized/Mark Perry. The Clash/The Ramones/Manic Street Preachers/Throbbing Gristle/Theatre Of Hate.